DePaul Mural WITHOUT the Goose & Plane!

Recently received the below pics of my August 2010 mural for DePaul University Art Museum, composed in concert with a massive installation by Dayton Castleman hanging in front of it. These pics, taken when Dayton’s work was removed at the close of the exhibit, show what the mural looked like by itself underneath it all. See my blog post from 8/9/10 for more about the project. (Click photos to enlarge)


Important to understand that this was all a sensitive response to Dayton’s precedent in the space — see my earlier post for working notes and in-progress photos with my team.
Thanks again to Stockyard Institute and the curators of Nomadic Studio for inclusion in this this wonderful project.

Hey comics fans: help me sleuth sources?

A few months ago I took a comic book I’d got inside a “mystery bag” and sampled some imagery for use in a silkscreen mash-up experiment along with some other more-or-less random imagery at hand, including doodles, text… I’m not sure what all’s in there. Recently I exhumed these results and poked around on ‘em with paint, applied some additional freehand imagery. Whatever I wind up doing with these, I’ve completely forgotten the source for some of the imagery that’s evident, particularly the characters immediately below… Any comic book enthusiasts out there who might recognize these characters or suggest how I find out?


Autumn Studies

Some examples of recent studies in preparation for bunkering-in this winter, titled “101201” but probably better referred to as “Autumn 2010 Studies.” These are studies in acrylic, enamel and aluminum paint in which I’ve tried out some approaches I’d like to pursue in the coming months. 
The black frames measure 18”x22”, and further down the ones in pale-colored wood frames are 9”x10.75”. 
 

Some of the core pieces that didn’t pan out were still purposeful in reconstitution — here are few of what I call “maquettes,” as in models for larger considerations. 
 

Some of these and several others related, all unique, are available at my electronic store: robfunderburk.bigcartel.com. 

text paintings (wc?) 8/23/10


Click these images to see bigger versions. Four sketches underway since yesterday: slightly warm paper with black markers, black LetraSet transfers rubbed-on with a plastic putty knife, Golden acrylic Titanium white, white vinyl Gothic letters and Scotch tape.

Mural for Nomadic Studio at DePaul, Part II


Photos of my mural response to artist Dayton Castleman’s installation: a half-scale fighter jet and a life-size goose constructed of cardboard. On view through November 20 at the DePaul University Art Museum as part of Nomadic Studio, a pedagogical experiment curated by The Stockyard Institute.

Nomadic Studio Reception
Thursday, August 12, 2010 | 5pm – 8pm
2350 N Kenmore Avenue, Chicago
Featuring:
- Rob Funderburk & Dayton Castleman
- Susan Hall
- Nikki Jarecki
- Christophe Roberts
- Jay Ryan: silkscreen demo at 6pm
- Tom Stack
- Erik Stenberg
- Diana Sudyka
- Zikr: live music at 6pm

To begin with, here’s Dayton Castleman’s installation — a life-size goose and half-scale fighter jet constructed in cardboard.
Friday 7/30/10: Applied a grid of 2’ squares with chalk on the walls behind Dayton Castleman’s goose and jet. Transcribed key shadows cast by Castleman’s installation onto a scale diagram of the walls.
Wednesday 8/4/10: Composed mural on scale diagrams. Used shadows as primary point-of-departure for composition, highlighting certain areas with open shapes and emulating others with sister forms. Key intent to “break” the rectangular wall with false a perspective at the top (note black area), and a color palette based on the former AV-Aerie space.
Thursday 8/5/10: Wrapped the bird and plane in plastic to protect it from errant paint. Using graphite sticks, sketched composition square-by-square onto the walls at actual size, then painted areas white which would either be white in the end or benefit from a clean basecoat to make bright colors (eg, red and yellow).
Friday 8/6/10: Using breakout maps like the one below, proceeded with color.
Saturday 8/7/10: Tightened and finished all the colors, applied dark linework and finishing strokes. Removed protective plastic to reveal status and crisp shadows. Gave slideshow presentation on the project as part of The Dil Pickle Club at Op Shop in Hyde Park (mp3 recording of most of it here c/o Marshall Preheim).

Tomorrow, Tuesday 8/9/10: Heading back in for some finishing, some touch-up, and a couple of additional shapes I’d like to work in.
And of course this Thursday 8/12/10 is the formal reception — the “unveiling,” if you will — along with a bevy of new work from other artists in rotation at the Nomadic Studio. Please join us if you can, and see nomadicstudio.wordpress.com for more info.

Special thanks to Gretchen Kalwinski, Marshall Preheim, Faiz Razi, and Beth Wiedner for their enthusiastic help, and to The Stockyard Institute and DePaul University Art Museum for enabling.

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UPDATE: Here’s pics of the wall after the plane & goose were removed!


Mural for Nomadic Studio at DePaul

This week I’m creating a 468 square-foot mural for The Stockyard Institute’s “Nomadic Studio” at DePaul University in Chicago. Please join me if you can for the “unveiling” along with artwork and presentations by some very talented artists: Nomadic Studio Reception Thursday, August 12, 2010 | 5pm – 8pm 2350 N Kenmore Avenue, Chicago Featuring: - Rob Funderburk & Dayton Castleman - Susan Hall - Nikki Jarecki - Christophe Roberts - Jay Ryan: silkscreen demo at 6pm - Tom Stack - Erik Stenberg - Diana Sudyka - Zikr: live music at 6pm The Stockyard Institute is an interdisciplinary collective that explores education and progressive social engagement in public spaces. Nomadic Studio is four months of rotating exhibits and innovative programs that highlight the incidental and provisional places where art and culture are produced. Through November 20 at Nomadic Studio, Stockyard Institute has thoroughly transformed the DePaul gallery into a functional art space with interactive stations for work and play, collaborative projects from progressive thinkers, a recording studio, and Stockyard’s own temporary office. Nomadic Studio is part of a massive initiative called Studio Chicago, underway since October 2009 with assessments and celebrations of the sites where art is made, effectively disrupting the persistent myth of the “tortured artist” who works in isolation to create meaning. Nomadic Studio makes clear with participatory examples how artists rely on shared inroads, resources and infrastructures to sustain thriving creative practices. In August, Nomadic Studio pays homage to AV-Aerie, a multidisciplinary arts venue operating in Chicago from 2004 to 2009 (formerly Open-End). As a resident artist with AV-Aerie, I would periodically transform the interior space with large-scale murals in support of a range of performances (see examples here and here). These murals were meant to invigorate the space for performers as well as audiences with bold, physically immersive visuals — cerebral jungle gyms, let’s say — leaning toward sculpture more than scenic or decorative painting. The curators of Nomadic Studio have invited me to replicate this mode on a broad wall in the DePaul gallery space, and have provided an interesting challenge: fixed in front of this wall are fully-dimensional sculptures of a half-scale fighter jet and life-size goose by artist Dayton Castleman… so, I’m beginning with these as points of departure. (Dayton, I promise I’ll try my best not to add any colors to your work!). Another challenge is designing for a second stage, a subsequent “reveal” — a few weeks after opening, Dayton’s work will travel elsewhere. My intent is to respond directly to Dayton’s precedent, bring something of the spirit of the AV-Aerie murals in play with DePaul’s space and the activities therein, and ensure that the mural holds up on its own after the plane and bird exit. Functional criteria. Creative challenges. Great confluence of people. It’s a very exciting project already. I’ll post updates here as we proceed, and this Saturday, August 7, at 6pm, I’ll be presenting a status report as part of a joint presentation with The Dil Pickle Club and The Op Shop at 5226 S Harper Avenue, Chicago — for more info, see Op Shop’s calendar or drop me a line.

Memory Lane: LOA Series 2002

Have been rounding-up documentation for a whole new robfunderburk.com and traipsing down memory lane a bit — From 2002, here’s session photos for a series of paintings produced collaboratively with multi-instrumentalist Zebulun Barnow (Z: Why didn’t we record the audio again?…). This experiment was a sort of dry-run for a live performance a few days later at Chicago’s Mars Gallery in support of Madshak Dance Company’s annual fundraising event. Point of order was to bridge gap between audio & visual execution and find ways to synchronize mark-making with musicianship. Photos here are c/o Paul Mroch, who managed tools & paints on-set for this session and the performance. So for example, in the above, the searching lines in the bottom two-thirds correspond with me locking into the rhythm structure, and the white paint represents timpani drums and higher range instruments laid over top of it. Later we created relationships with harmonica and other electronic instruments, and over the course of these experimented with building layer-upon-layer as well as excavating, essentially digging into the accumulated surfaces.

Above, left to right: Me, Zebulun Barnow, Paul Mroch.
Some of the completed work from this “rehearsal” session are posted on my website.
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At the Madshak event a few days later, I brought 13 prepared surfaces, each 2x4’ and painted flat black, along with an arsenal of acrylic paints, and after a robust session that may have lasted a couple of hours with a very enthusiastic audience, the results were auctioned off and otherwise sold. I may have photos of some of these buried deep in my archives yet, and I’ll love to post an update if/when they’re located.
 
Would any of you have any photos of the work or especially the actual event to share?… Definitely drop me a line, if so: rgfunderburk@gmail.com


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